Design And Performance Lab
DESIGN IN MOTION // CHOREOGRAPHY // PROJECT PHASES
phase VIII: 2008-09 - UKIYO 1 phase IX: 2009-10 - UKIYO 2 Becoming Leaf UKIYO 3 UKIYO at Sadlers Wells 2010 phase X: 2011-12 for the time being 2012-14 phase I: 2004-05 phase II: 2005 telematic dress . phase III 2005-06 emergent design phase IV: 2006 phase V: 2006-07 phase VI: 2007: Suna no Onna
FOR THE INTERNATIONAL METABODY FORUM and METAKIMOSPHERE NO. 3 - London 2016 - GO HERE
For the PREMIERE of METAKIMOSPHERE no.1, March 31, 2015 go here
For the PREMIERE of METAKIMOSPHERE no.2, Madrid July 2015 go here
For the PREMIERE of METAKIMOSPHERE no.4, May 27, 2017 go here
The DAP-lab's current research program is supported by the EU Culture Programme as part of the collaborative trans-european METABODY research project. DAP-Lab is one of the co-organizers of the Metabody Project and has started to work with new partners in Spain, Portugal, Italy, Germany, Switzerland and the Netherlands on the creation of two new prototype performance designs.
Visit our METABODY project archive.
The founding of DAP-LAB in 2004
Emerging from the Telematic Performance Lab at Nottingham Trent University, the first phase of design/performance experiments directed by Johannes Birringer and Michèle Danjoux in autumn 2004 featured design concepts by Danjoux, Jo Cope and Gemma Harrison. These initial workshops brought together young designers from fashion (Cope, Harrison, later joined by Siobhan McHugh and Emma Wilkes), performance (Marie Denis, Natalie Verhaegen, Natasha Stott), photography (Yoon Bo Shim), and fine art (Helen Knight).
The second workshop series (March - May 2005) expanded the film and movement studies of DAP-Lab's investigations focussing on Danjoux's design-in-motion principles, combining the research into sensual technologies and live streaming performance.
The March 2005 workshop culminated in an all night live interactive performance of "Telematic Dress" (click here)
The "Emergent Dress" signals phases III-IV of the DAP-Lab, featuring design concepts by Michèle Danjoux, and consolidating online collaborative partnership drected by Birringer with the Department of Dance, Ariziona State University. See our partner site in Arizona, click here.
In 2006, the Lab's relocated to Brunel University, London, starting research collaboration between artists, scientists and engineers for Phases IV-V. These phases resulted in the development of new prototypes [Teshigahara collection], and the production (Phase VI) of the performance work Suna no Onna exhibited in London in late fall of 2007 and spring of 2008.
The Lab's subsequent performance research project (2008- 2010) is entitled UKIYO (Moveable World), developing new transcultural partnerships with artists in Japan. The new production went on tour to Slovenia in 2010 before premiering at Sadler's Wells, London.
DAP-Lab now works at the cutting edge of new peformance concepts and architectures with intelligent wearables and audio-visual choreographies. After a longer development phase, Danjoux's new audiophonic wearables form the core of for the time being, staged at Watermans Art Center in a first version of the new opera in 2012. Built as an homage to the 1913 futurist opera "Victory over the Sun," the opera was considerably expanded for its premiere at Sadlers Wells in April 2014.
The DAP-lab's current research program is supported by the EU Culture Programme as part of the collaborative METABODY grant project. DAP-Lab is one of the co-organizers of the Metabody Project.
Anne Laure Misme [above left], Helenna Ren, Caroline Wilkins, Michèle Danjoux & Eng Tat Khoo working in Mixed Reality Lab residency, Tokyo, December 2009.
Lab directors and principal investigators: Johannes Birringer (Performance, Brunel University) & Michèle Danjoux (Fashion, LCF).
Paul Verity Smith (Sensor programming/Photography, Research Associate), Oded Ben-Tal (music, Research Associate), Katsura Isobe (Dancer), Helenna Ren (Performance, Research Associate), Doros Polydorou (3D motion graphics, Brunel University), Hsueh-Pei Wang (design, technotextiles, Brunel University), Dr Maozhen Li (Engineering and Design, Brunel University, Research Associate); Dr Jinsheng Kang (Engineering and Design, Brunel University), Dr Olu Taiwo (Performance/Media Art, Research Associate, Winchester University), Mamen Rivera (lighting, Research Associate), Caroline Wilkins (music, performance), Miguel Alonso (Ligthing, Research Associate, Barcelona), Yiorgos Bakalos (actor, Research Associate), Anne Laure Misme (Performance, MA Brunel Drama), Sandy Finlayson (sound processes, Research Associate), Jennifer McColl (MPhil Brunel Drama), Giulia Tonucci (Visiting Student, Bologna), Luca Forcucci (PHD researcher, DMU), Yoko Ishiguro (performance artist;MA Performance Making, Brunel) , Ross Jennings (actor/BA Theatre, Brunel),Aggeliki Margeti (dancer;MA Performance Making, Brunel), Oliver Doyle (sound, music), Cameron McKirdy (software programmer/performance arist;BA Theatre,Brunel), Elliott o'Brart (technical director/soundartist; BA Theatre, Brunel),Graeme Shaw (Sound Technican; Music/Sonic Arts, Brunel),John Richards (electronics engineer/sound artist; de Montf University), Aleksandar Tomic (director, Philharmonic Lights) , Hae-In Song (dancer/Phd researcher, Brunel), Vanessa Michielon (dancer, Turino), Manaskarn Insang (dancer, Bangkok), Rosella Galindo (dancer/researcher, Mexico DF), Yakinthi Lagiou (musician/performer, BA Music Brunel).
Associates: Chris Bishop (network artist/software artist; Monash University), Azzie McCutcheon (choreographer/dancer), Martina Reynolds (theatre producer/social scientist), Maria Wiener (Digital Artist/Postdoctoral Fellow), Umut Ozbay (sound, Istanbul); Niluefer Ovalioglu (Performance, Research Student), Cidinha Fursan Bendixen (Creative Collaborations, Research Student), Nam Eun Song (Performance, Research Student, Jo Cope (Fashion Researcher), Siobhan McHugh (Fashion Researcher).
Founding D A P-lab directors: Johannes Birringer & Michèle Danjoux