Design And Performance Lab
Publications by members of the DAP-Lab and ADaPT (Association for Dance and Performance Telematics)
Johannes Birringer
Published Books
2008 Performance, Technology, and Science New York: PAJ Publications.
2007 Die Welt als virtuelles Environment, Co-editor, with Thomas Dumke and Klaus Nicolai, Dresden: TMA Hellerau.
2006 Spielsysteme: International Interaktionslabor 2005-06. Exhibition catalogue, Co-editor with Klaus Behringer (in English and German, with DVD).
2005 Tanz im Kopf/Dance and Cognition. Co-editor, with Josephine Fenger, Jahrbuch 15 der Gesellschaft für Tanzforschung. Hamburg: LIT Verlag.
2004 Wechselwirkung . Co-editor, with Uschi-Schmidt-Lenhard, Klaus Behringer (in English and German, with a DVD)
2003 Reflexiones sobre Performance, Cultura y Tecnología/ Reflexions on Performance, Culture & Technology, editor, critical exhibition catalogue of a forum featuring Latin American and North American digital artists, Hyperdmedia Studio, Los Angeles (in English, Spanish and Portuguese, online publication)
2001. Performance on the Edge: Transformations of Culture. London: Continuum.
1998. Media and Performance: along the border. Baltimore: Johns Hopkins University Press.
1989. Theatre, Theory, Postmodernism. Bloomington: Indiana University Press.
1984. Marlowe's 'Dr Faustus' and 'Tamburlaine'. Frankfurt/Berne/New York: Peter Lang.
Chapters in books (recent & forthcoming)
2010 "Bodies of Color/Media Skins," in Intimacy: Across Visceral and Digital Performance, ed. Maria Chatzichristodoulou & Rachel Zerihan, Basingstoke: Palgrave (forthcoming)
2009 "Choreographic and Performance Systems," Program to Perform: Exploring Dance and New Media, ed. Ine Therese Berg & Lise Amy Hansen , Oslo: Dance Information Norway, pp. 10-24.
2009 "Dance and New Media," amber Festival Catalogue (forthcoming)
2009 "Corpo, Carne e Espírito: Musical Visuality of the Body," in Blood, Sweat & Theory: Research through Practice in Performance, ed John Freeman. Faringdon: Libri Publishing, pp. 240-61.
2009 "Emergent Dress," in Practice-As-Research: In Performance And Screen, Edited by Ludivine Fuschini, Simon Jones, Baz Kershaw and Angela Piccini, Palgrave MacMillan
2009 "After Bacon: The music of digital flesh and the pornography of sensation", in Pornotopias: Image, Apocalypse, Desire, eds. Louis Armand, Jane Lewty, Andrew Mitchell. Prague: Litteraria Pragensia, pp. 46-60.
2008 "Wearables in Performance," with Michele Danjoux, in: Smart Clothes and Wearable Technology, ed. Jane McCann and David Bryson. Cambridge: Woodhead Publications, pp. 388-419.
2007 "Eye into Earth," in: Picturing Second Geography, Space and Culture 11: 1, 59-62
2007 "Data Art and Imaginary Landscapes," SWAN QUAKE: the user manual," edited by Scott deLahunta, Plymouth: Liquid Press/i-Dat, pp. 37-52.
2007 "Body Art and Technological Transformations: Rhythms of Real Time." In: Conference Proceedings: The Flesh Made Text. Thessaloniki: Aristotle University, Frankfurt/New York: Peter Lang.
2006 "FutureHouse, Blind Mine," chapter in Place and Placelessness in Performanc, . ed. Helen Paris and Leslie Hill. Palgrave Macmillan , pp. 85-98.
2006 "Performing Art Performing Science," A Performance Cosmology: Testimony from the Future, Evidence of the Past, ed. Judie Christie, Richard Gough, Daniel Watt, London: Routledge, pp. 87-93.
2006 " Interacting," in: Popular Forms for a Radical Theatre, ed. Sarah Ruhls and Caridad Svich, Contemporary Theatre Review 16:4, pp. 389-405.
2006 "Saira Virous: Game choreography in multiplayer online performance spaces" a chapter in: Performance and Technology: Practices of Virtual Embodiment and Interactivity, ed. Susan Broadhurst & Josephine Machon, Palgrave. pp. 43-59.
2006 Dramaturgy of Listening, catalogue essay for "See you in Walhalla."
2005 "New Environments for Interactive Dance," chapter in: Performing Nature: Explorations in Ecology and the Arts, ed. Nigel Stewart and Gabriella Giannachi, Frankfurt: Peter Lang, pp. 303-325.
2005 "Art Disincorporated: John Newling's Writings 1995-2005," introduction to Artist Book, John Newling 1995-2005, 2 volumes, Warwick: SWPA Limited, pp.11-17.
Essays, Review Articles
2010 "Puntos de Fuga (Vanishing Points): Performance Writing for the Digital Theatre," GRAMMA (forthcoming)
2010 "Moveable Worlds/Digital Scenographies," International Journal of Performance Arts and Digital Media (forthcoming)
2009 "Wearable Performance," with Michele Danjoux, Digital Creativity 20:1-2, 95-113.
2009 "La Bambola di Carne", Body, Space & Technology 8:1
2008 "Passage", reveiw of interactuve choreographic installation at CYBETart 2008 Festival.
2008 "No existem mais linguagens classicas/There are no more classical languages," FIT Revista, June 2008, 98-105.
2008 "After Choreography," Performance Research, 13:1, 118-22
2008 "Performatik," Performance Research, 13:2, 76-79.
2008 "Report: Artists Open Doors: Japan/UK", conference workshop at the Japan Foundation/The Place, London
2008 "Report: Another Side of Fashion: The Fashion of Smart Materials," conference workshop, Dana Centre, London
2008 "Thinking Images: Conversation with Paul Kaiser and Marc Downie, Performing Arts Journal 89, 17-37.
2007 "Exposed," Body, Space & Technology 7:2
2007 "Performance and Technology," Danca em foco, 2007, ed. Maria Alete Goncalves, Rio de Janeiro, pp. 34-43 (port.), pp. 82-91 (engl.), pp. 130-39 (span.)
2007 Bodies of Color, Performing Arts Journal 87, 35-45.
2007 "Bodies of Color," ballettanz 11, 62-65.
2007 "The Emergent Dress: Transformation and Intimacy in Streaming Media and Fashion Performance," with Michèle Danjoux, Performance Research 11:4, 41-52.
2007 "Invisible Connections: Dance, Choreography and internet communities," International Journal of Performance Arts and Digital Media 3:1, 83-89.
2006 "Interacting: Performance and Transmediality," in Monologues: Theatre, Performance, Subjectivity, ed. Clare Wallace, Prague: Litteraria Pragensia, pp. 297-325.
2006 "Digital Performance: Theatre in its Post-Medium Condition," Contemporary Drama in English, vol. 14, 83-101.
2006 "Digital Performance" and "Wearables" - entries to special Lexicon issue of Performance Research, 11:3, 42-45, and 140-41.
2006 "Digital Cultures Lab, 2005," introduction to special issue of International Journal of Performing Arts and Digital Media, 2:2, 105-08.
2006 "Performance and Science," PAJ 85, 22-35
2006 "Dance and Neuroscience," ballettanz 2, 16-19
2006 "M saudade," Dance Source Houston, http://www.houstondance.org/reviews.html
2005 "Dancing and Cognition," in: Tanz im Kopf/Dance and Cognition, Münster: LIT Verlag, pp. 15-28.
2005 "Rammstein's Rite of Fire," Body Space & Technology, vo.05
2005 "The Telematic Dress: Evolving garments and distributed proprioception in streaming media and fashion performance," with Michèle Danjoux, in: Wearable Futures Exhibition Catalogue, Newport.
2005 "Wayne McGregor's Perturbations." ballettanz 8-9, 18-21
2005 "Dance and Not Dance," Performing Arts Journal 80, 10-27.
2005 "Interactivity : User Testing for Participatory Artworks," International Journal of Performance Arts & Digital Media 1:2, 147-73.
2005 "New Visions in performance: The Impact of Digital Technologies," International Journal of Performance Arts & Digital Media 1:1, 83-88.
2005 "The Gagarin System: Synaesthesia and Multimedia," A workshop report, University of Erfurt, Germany.
2005 "El Automóvil Gris." Art Nexus, 55:3, 126-27.
2004 "La danse et la perception interactives," Nouvelles de Danse 52, 99-115.
2004. "Tanz Anders Wo" Aktuell: Gesellschaft für Tanzforschung , winter, 21-24.
2004. "Transspacial Light and Virtual Choreography," ballettanz 6, 30-32.
2004 "Interactive Dance, the Body, and the Internet," Journal of Visual Art Practice, 3:3, 165-78.
2004. "The Singing Head" Available at: http://www.liveartmagazine.com [Accessed
25 March 2004]
2004. " Der transmediale Tanz: Tanz-Technologien im Transfer." In: Krassimira
Kruckowa, Nele Lipp, eds., Jahrbuch der Gesellschaft für Tanzforschung. Hamburg: LIT Verlag, pp. 23-56.
2004. "El Automóvil Gris." Theatre Journal 56:3, 479-80.
2004. "Ecologia de danza interactiva." In: Diana Domingues , ed., Art and Life in the 21st Century: Science, Technology and Creativity. São Paulo (forthcomig)
2004. "Dance and Interactivity," Dance Research Journal 35:2/36:1, 88-111.
2004. "The Burial: Performance Art." In: Wladek Kazmierczak, ed., History of
Performance Art. Slupsk, Poland (in press)
2004. "Envisioning Dance on Film and Video," Dance Research Journal 35:2/36:1,
2003. "Performance Systems." South African Theatre Journal 17, 79-113
2003. "Marina Abramovic on the Ledge." Performing Arts Journal, 74, 66-70
2003. "A New Europe." Performing Arts Journal 75, 26-41
2003. "Spletna Okolja za Interaktivni Ples/Networked Environments for Interactive
Dance." Maska 18, 68-78
2003. "Re-mediation: Moving towards the Virtual." SPOT 21:1, 3-5
2003. "Materiality, Embodiment, Interactive Technologies. A dialogue with
Marlon Barrios Solano." Online [Accessed 25 March 2004]2003 "Interaktionslabor Göttelborn." Live Art Magazine. http://www.liveartmagazine.com
2002 . "Dance and Telepresence." In: Maria Beatriz de Medeiros, ed, Arte e Tecnologia na Cultura Contemporânea. Brasilia: Universidade de Brasilia, 2002, pp. 171-79.
2002. "Dance and Interactivity." In: GRAMMA, special issue Theatres(s) in the Age of New Technologies, 10, 19-40.2002. "Experimentelle Tanzmedien, Interaktive Systeme." In: Christa Zipprich, Gabriele Klein, eds., Tanz, Theorie, Text. Jahrbuch der Gesellschaft für Tanzforschung. Hamburg: LIT Verlag, , pp. 477-98.
2002. "Dance and Media Technologies." Performing Arts Journal, 70, 84-93.
2002. "Nova Okolja: Interaktivni Ples" [New Enviornments: Interactive Dance]. Maska , XVII no.1-2, 28-31, 122-24
2002. "Journey of a Cosmonauta." Ollantay Magazine, vol.IX. no.18, 137-51.
2002. "Algorithms for Movement." Performing Arts Journal, 71, 115-192002. "New Performance Tools: Technologies / Interactive Systems." A Report. Online.
2001, with Ellen Bromberg, Naomi Jackson, John Mitchell, Lisa Naugle, and Doug
Rosenberg. "Connected Dance: Distributed Performance across Time Zones." In: Transmigratory Moves/Dance in Global Circulation. Congress On Research in Dance Conference Proceedings. New York: New York University , 2001, pp. 51-77.2001. "The Intelligent Stage." Performance Research 6:2, 116-22
2001. "Artists in Profile." In: Leslie Hill, Helen Paris , eds. Guerrilla Performance
and Multimedia. London: Contiunuum, 2001, pp. 10-17.
2001. "Spomini Realnega." In: Emil Hrvatin , ed., Teorije sodobnega plesa.
Ljubljana: Maska, 2001, pp. 208-18.
2001. "Muoversi attraverso le tecnologie." In: Armando Menicacci , Emanuele
Quinz, eds., La scena digitale: nuovi media per la danza Bolzano:: Marsilio,
2001, pp. 231-36.
2001. "Intelligent Stages/Compensation Design." ballet international/tanz aktuell
3, 17.
2001. "Dancing with the Mouse: A Report." NDA (online). Available at:
/www.aahperd.org/nda [Accessed 25 March 2004]
2001. "New Environments: Interactive Dance." Congress of Research in Dance
Newsletter (spring), 1, 7-10
2001. "Fabian Marcaccio." Artnexus 42:4, 119-20
2001. "Suite Fantastique: Architecture and the Digital." Available at:
http://www.location1.org/ossa/index.html [Accessed 25 Marc h 2004]
2000 "Environments: Dancing with Technologies," Dance Magazine, Stern's Online Directory2000 "Moving through Technologies," Movement Research #20, 9
2000 "Burn Media Burn - Texas Video Art," Artlies 25, 9-15
1999 "Contemporary Performance/Technology," Theatre Journal 61:4, 361-81
1999 "Exploding Perceptions," Conference Proceedings, Unversity College Chichester Conference Papers, 7-10
1999 "Els mitjans contemporanis de performance-art," Papers D'Art 74: 71-78
1999 "The Politics of Reception," in: Conversations on Art and Performance, ed. Bonnie Marranca and Gautam Dasgupta (Baltimore: Johns Hopkins Univ. Press), pp. 76-101
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Michèle Danjoux
Publications
2009 "Wearable Performance," with Johannes Birringer, Digital Creativity 20:1-2, 95-113.
2008 "Wearables in Performance,"with Johannes Birringer, in: Smart Clothes and Wearable Technology, ed. Jane McCann and David Bryson. Cambridge: Woodhead Publications, pp. 388-419.
2007 "The Emergent Dress: Transformation and Intimacy in Streaming Media and Fashion Performance," with Johannes Birringer,, Performance Research 11:4, 41-52.
2005 "The Telematic Dress: Evolving garments and distributed proprioception in streaming media and fashion performance," with Johannes Birringer, in: Wearable Futures Exhibition Catalogue/DVD, Newport.
Keynotes/Conference Presentations:
2005 "IFFTI - International Foundation of Fashion Technology Institutes The 7th Annual IFFTI International Conference," October 31st - November 5th 2005, Bunka Women's University Tokyo, Japan. Paper Presentation: The Telematic Dress - Evolving garments and distributed design in streaming media and fashion performance.Paper to be published in conference book.
2005 "Wearable Futures Hybrid Culture in the Design and Development of Soft Technology" 14-16 September 2005, University of Wales, Newport, Wales, UK. Paper Presentation: The Telematic Dress - Evolving garments. To be published in Conference Proceedings.
Workshops:
2007 "Bodies of Color": Intimacy: Across Visceral and Digital Performance Festival, Goldsmiths University of London
2005 "Dance and Wearable Computing: Cultures, Fashions, and Designs." Digital Cultures and Dance Technologies, international laboratory, Nottingham, November 28-December 4, 2005. http://www.digitalcultures.org/labplan.html
2005 "Physical Camera and Telematic Performance," workshop, PARIP international conference, On Practice as Research in Performance, University of Leeds, Bretton Hall Campus, co-directed with Johannes Birringer
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Collaborative publications and publications by associates of DAP LAB / ADaPT
Ellen Bromberg
Bromberg, Ellen R. with Johannes Birringer, Jimmy Miklavcic, David Zemmels, and Julio C. Facelli, "Telemediated Art: The Utah experience with the ADaPT (Association for Dance and Performance Telematics) Collaboration" http://www.finearts.utah.edu/adapt/publications/publications.html
Bromberg,Ellen R. with Johannes Birringer, "ADAPT: Telepresent Artistic Collaborations," Center for High Performance Computing Newsletter, August 2002, vol. 13:2, University of Utah. http://www.finearts.utah.edu/adapt/publications/publications.html
Bromberg, Ellen R. with Johannes Birringer, "ADaPT: Telepresent Artistic Collaborations," Interdisciplinary Humanities 21:1 , 2004, 87-93. Johannes Birringer, Ellen Bromberg, Naomi Jackson, John Mitchell, Lisa Naugle, and Doug Rosenberg.
Bromberg, Ellen R., "Connected Dance: Distributed Performance across Time Zones," hypertext essay ed. by J. Birringer, in " Transmigratory Moves/Dance in Global Circulation, " Congress On Research in Dance Conference Proceedings, New York University (October 2001), pp. 51-77.
Lisa Naugle
Naugle, Lisa, "Distributed Choreography in a Video-Conference Environment". Performance Art Journal, 71 (2002), 56-61.
Naugle, L. "A Study of On-line Collaborative Choreography Using LifeForms and Internet Communication", Ph.D. Dissertation. New York University, Department of Music and Performing Arts Professions, Dance Education Program, 2002.
Naugle, Lisa and Gitleman, Claudia. "Reconstructing a Late Work of Hanya Holm: Stage Success and Electronic Heartache", Proceedings of the Society of Dance History Scholars, (1999): 63-67.
Naugle, Lisa Marie. "The Cassandra Project: In the Mediascape of the Internet ". Proceedings of the 31st Annual Conference Congress on Research in Dance. (1998): 101-108.
Naugle, Lisa. "Digital Dancing" IEEE Multimedia, Vol. 5. No. 4. IEEE Computer Society October-December, 1998.
Naugle, Lisa Marie. "Internet Performance: Reflections on Dancing in Cyberspace". Proceedings of the Multimedia Technology and Applications Conference. (1998). P. 14-18
Naugle, Lisa. and Garland, Iris. "A University Dance Course in Cyberspace: The Telelearning Experience", Journal of Distance Education, Vol. XII, No. 1/2 (1997)
Conference Presentations:
"Connected Dance: Distributed Performance across Time Zones, " panel presented by Johannes Birringer, Ellen Bromberg, Naomi Jackson, John Mitchell, Lisa Naugle, and Doug Rosenberg. Congress On Research in Dance Conference, New York University (October 2001).
Ellen Bromberg, EDUCAUSE 2002 Annual Conference, Atlanta, Georgia, 2002
Johannes Birringer, "Interactive Environments," Research lab presentation at the DAMP Lab at V2_ Institute of the Unstable Media, Rotterdam, The Netherlands 2003
Johannes Birringer, "Der transmediale Tanz: Tanz-Technologien im Transfer, " Lecture at "Tanz Anders Wo," Jahrestagung der Gesellschaft fxr Tanzforschung, Tanzquartier Wien, Austria 2003
Johannes Birringer, "Networked Environments for Dance, " Panel participant at Association of Internet Researchers (AoIR) Conference, Toronto, Canada, 2003
Johannes Birringer, "Industrial Culture: Conversion Performances," lecture presented at Subtle Technologies conference, Toronto, Canada, 2003
Johannes Birringer, "Lag, interruption and collapse - sustainable communications," Online symposium, GRAPHITE Conference, SIGGRAPH, Melbourne, Australia, 2003
Johannes Birringer, "Performance: Revisioning the Aesthetics and Politics of New Technologies," School for the Contemporary Arts, Simon Fraser University, Vancouver, Canada, 2002
Johannes Birringer, "Modernism and Beyond: Dance and Technology as Cultural Processes," School for the Contemporary Arts, Simon Fraser University, Vancouver, Canada 2002
Johannes Birringer, "Reflexiones sobre Performance, Cultura y Tecnolog a," Latin American program on Digital Cultures, HyperMedia Studio, UCLA, Los Angeles, 2002
Johannes Birringer, "Real-Time and Presence: Composing Virtual Environments," workshop organzied by Trans-Media-Akademie Hellerau e.V., CYNETart Dresden in co-operation with 01plus Institute for art, design and media technology at the FH Nuremberg, Germany, 2002
Johannes Birringer, "Connected Sites / Distributed Performance," lecture at the Symposium "Wissen schaffen xber Tanz", Akademie der Kxnste, Berlin, and Gesellschaft fxr Tanzforschung e.V, Germany, 2001
Johannes Birringer, "New Environments for Dance: Ecologies of Networks." Subtle Technologies Conference, University of Tornonto, Ontario, Canada, 2001.
Johannes Birringer, "Dance, Motion Capture, Telematics," Second International Congress on Art and Technology, University of Brasilia, Brazil, 2001
Johannes Birringer, "Performance and Interactivity," Graduate School of Semiotics and Communication-PUC-S 9o Paulo, Brazil, 2001
Lisa Naugle, Association for Internet Researchers, Paper and Panel Presentation, "Probing the Barriers to Dance and Other Worlds: Separation and Connection through Internet 2", October, 2003, Toronto, Canada. Panel presentation with Johannes Birringer and Susan Kozel. Also see http://www.ecommons.net/aoir/aoir2003/index.php?n=198
Lisa Naugle, Congress on Research in Dance Conference, Panel presentation in collaboration with ADaPT (Association for Dance and Performance Telematics), "Connected Dance: Distributed Performance Across time Zones." New York University, October 2001.
Lisa Naugle, "Internet Performance: Reflections on Dancing in Cyberspace." Multimedia, Technology and Application Conference, Los Angeles Convention Center, California. IEEE Computer Society, September 1998.
Ellen Bromberg,: "Experiments in Improvisational On-line Collaboration" Video Presentation Dance Screen 2002, 9th International Competitive Festival for dance films and videos Monaco Dance Forum 10-14 December 2002
Brian Buck, Gray Miller, AJ Niehaus and Apryl Seech: "ADAPT (The Association for Dance and Performance Telematics): Multiple definitions of distributed performance." Hawaii International Conference on Arts and Humanities January 2004. The Proceedings are now online: http://www.hichumanities.org/2003proceedings_hum.htm.
John Mitchell
John Mitchell, "The Symposium on Arts Technology - Arts of the Virtual: Poetic Inquiries in Time, Space and Motion," University of Utah, 2004 (www.artstechsymposium.utah.edu)
John Mitchell, "The ADAPT gaming projects" Monaco Dance Forum 2004 MDF Multmedia Forum 16 December 2004 Johannes Birringer / John Mitchell Presentation on ADAPT research progress.