ANNA BONSHEK
Transformations within the Gap: Liminality and Principles of Vedic Language Theory in Performance

SUE BROADHURST
Liminal Aesthetics

DAN FRIEDMAN
Performance as Revolutionary Activity: Liminality and Social Change

SILVIJA JESTROVIC
The Performer and the Machine: Some Aspects of Laurie Anderson's Stage Work

PETRA KUPPERS
Addenda? Contemporary Cyborgs and the Mediation of Embodiment

MILTON LOAYZA
Strobe Light Consciousness and Body Technology in the Theatre of Antonin Artaud

ANNA MISOPOLINOU
Ecstasy: A Source of Intimacy or Applications of the Dionysiac Model for Grotowski's Theatre

DEE REYNOLDS
Displacing 'Humans': Merce Cunningham's Crowds

ALEC ROBERTSON & JAMES WOUDHUYSEN
4D Design: Applied Performance in the Experience Economy?

CHUN-YI SHIH
Into the Blazing Light: Liminality in Joe Orton's What the Butler Saw

ZOFIA SLEZIAK
Liminal Spaces within a Contemporary Australian Arts Practice

PETER STAFFORD
Subliminal Voices from Nowhere

MISCHA TWITCHIN
What do we see in Theatre?

TRACEY WARR
The Informe Body